Leading artistic practitioners discuss their approaches to working creatively with computational systems in a diverse array of media, including music, sound art, visual art, and interactivity. These important, often controversial questions are contextualised by current thinking in computational creative arts practice. The book tackles critical philosophical questions and discusses the major issues raised by computational creativity, including: whether a computer can exhibit creativity independently of its creator what kinds of creativity are possible in light of our knowledge from computational simulation, artificial intelligence, evolutionary theory and information theory and whether we can begin to automate the evaluation of aesthetics and creativity in silico. Each contributor describes innovative new ways creativity can be understood through, and inspired by, computers.
Featuring contributions from leading researchers, theorists and artists working in artificial intelligence, generative art, creative computing, music composition, and cybernetics, the book examines the relationship between computation and creativity from both analytic and practical perspectives. This interdisciplinary volume introduces new theories and ideas on creativity from the perspectives of science and art.
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